The Stranger Beside Me
$19.95
Condition Guide
-
New: Brand new book, never used.
-
Like New: Looks like it could be brand new - might have very minor shelf wear - but no other noticeable defects. Pages are clean and not marred by notes or folds of any kind.
-
Very Good: A copy that has been read but remains in excellent condition. May have writing on the inside cover but pages are unmarred.
-
Good: A copy that has been read but remains in clean condition. The cover and all pages are intact. The spine may show signs of wear. Pages can include notes and highlighting.
-
Acceptable: Beat up - but readable. Pages can include considerable notes in pen or highlighter, but the notes do not obscure the text. It's rare, but some books may have water damage or other major defect not uncommon.
-
Booked On Main Deal: Items with a deal tag are rated as being Acceptable or Good as defined above.
We have run out of stock for this item.
A new edition of the iconic, best-selling account of America’s most fascinating serial killer, “perhaps the most unnerving true-crime book ever published” (Victoria Beale, The New Yorker), with a foreword by Georgia Hardstark.
In 1971, while working the late-shift at a Seattle crisis clinic, true-crime writer Ann Rule struck up a friendship with a sensitive, charismatic young coworker: Ted Bundy. Three years later, eight young women disappeared in seven months, and Rule began tracking a brutal mass murderer. But she had no idea that the “Ted” the police were seeking was the same Ted who had become her close friend and confidant. As she put the evidence together, a terrifying picture emerged of the man she thought she knew―his magnetic power, his bleak compulsion, his double life, and, most of all, his string of helpless victims. Bundy eventually confessed to killing at least thirty-six women across the country.
Forty years after its initial publication, The Stranger Beside Me remains a gripping, intimate, and unforgettable true-crime classic, “as dramatic and chilling as a bedroom window shattering at midnight” (New York Times).
