The Sentence Is Death (A Hawthorne and Horowitz Mystery #2)
$10.00
Condition Guide
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New: Brand new book, never used.
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Like New: Looks like it could be brand new - might have very minor shelf wear - but no other noticeable defects. Pages are clean and not marred by notes or folds of any kind.
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Very Good: A copy that has been read but remains in excellent condition. May have writing on the inside cover but pages are unmarred.
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Good: A copy that has been read but remains in clean condition. The cover and all pages are intact. The spine may show signs of wear. Pages can include notes and highlighting.
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Acceptable: Beat up - but readable. Pages can include considerable notes in pen or highlighter, but the notes do not obscure the text. It's rare, but some books may have water damage or other major defect not uncommon.
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Booked On Main Deal: Items with a deal tag are rated as being Acceptable or Good as defined above.
The Sentence Is Death (A Hawthorne and Horowitz Mystery #2)
- Very Good / Hardback
is backordered and will ship as soon as it is back in stock.
New York Times–bestselling author Anthony Horowitz and eccentric detective Daniel Hawthorne team up again in a new mystery, the sequel to the brilliantly inventive The Word Is Murder, to delve deep into the killing of a high-profile divorce lawyer and the death, only a day earlier, of his one-time friend.
“You shouldn’t be here. It’s too late . . . “
These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise.
Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed?
Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business.
But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .
